I am from Seville, Spain and in 1996 moved to London.
My journey as contemporary silversmith began with a transformative jewellery course that ignited an interest for working with precious metals in the late nineties. This journey led me to The Cass, where underwent five years of training under some of the most exceptional professionals in jewellery and silversmithing in the UK. This experience not only honed my skills but also deeply inspired my creative process.
My journey as a silversmith is deeply collaborative as it is rooted in a shared workshop environment with silversmiths who I met when studying, cultivating a supportive and creative space that fosters both friendships and growth as an artisan. Also, I am fortunate to have been mentored by Dave Murray an expert in the field of silversmithing and former tutor at The Cass, after completed my studies.
In my work minimalism is not merely an aesthetic choice; it is a reflection of my creative identity both as a designer and as a maker. My design thinking centres around the simplicity and playful manipulation of geometric forms, where balance is achieved thorough the deliberate imbalance of shapes and sections. This approach results in pieces characterised by unusual angles and asymmetrical arrangements that envelop the entire designs. Each piece I design is an exploration of spatial dynamics, where every element, however subtly, contributes to the overall impact of the work.
As a maker, my ethos relates to the handmade silversmithing techniques that are fundamental to my work. Techniques such as scoring, soldering, creating hinges and working with flat surfaces are not only methods but are integral to the expression of my artistic concept. These techniques are carefully applied to enhance the interaction of light and shadow, form and space, within each piece, extending this concept to the jewellery I create.
This dual role of designer and maker ensures a seamless translation of concept into form, where each piece is not only envisioned but carefully crafted by hand, embodying a personal touch that makes each creation an unusual item.
My journey has been a rollercoaster ride, balancing work to support my training and the pursuit of my craft. Recently, I made the pivotal decision to scale back on my working commitments and redirect that energy and time into my passion for creating jewellery and silverware.
Despite the obstacles I encounter, I’ve managed to share my work with a broader audience by participating in prestigious events such as The Goldsmiths' Fair in London, Highlight International Art Fair in Munich to name a few. It hasn’t been an easy journey, but each opportunity to showcase my work has been a milestone, a validation of the dedication and passion poured into each piece. From fair trades to galleries to museums, each platform has allowed me to connect with fellow enthusiasts, collectors, and appreciators of craftmanship. It’s been humbling and inspiring to see my work resonate with people from all walks to life. So, when you admire one of my creations, know that it’s not just a piece of jewellery or silverware; it’s a culmination of hard work, perseverance and dedication to pursuit my passion.
All my pieces are crafted in precious metals and are authenticated my the London Assay Office. Each piece bears a hallmark, which is an official mark confirming that the item has been independently tested and verified to meet legal standards of purity and fineness. In the UK all items ( above specific weights) described as made from gold, silver, platinum and palladium are legally required to carry a recognised hallmark, as stipulates in the Hallmarking Act 1973
The Hallmark is crucial because it is often difficult to determine the composition of an item by merely looking at it or feeling it. Hallmarking protects consumers by certifying the precious metal content of the item, ensuring that buyers can trust the piece is as described by the seller.
I am aware how important is to advance sustainability to marry practices with responsibility. I sourced recycled precious metals from suppliers that are certified by the Responsible Jewellery Council whenever is possible. While recycling materials significantly reduce environmental impact, I acknowledge the complexities involved, including the limiting support these practices offer to communities and the challenges associated with traceability.
Knowing the complexities surrounding traceability and the responsible procurement of diamonds and precious gemstones, I made a conscious decision to not use them in my designs. While, I have always prioritized this decision, I am open to exploring and knowing more about the innovation of precious gemstones alternatives.
I create my pieces in my cosy workshop in North London, where I fully immerse myself in developing my work. I am committed to keeping my designs local and do not outsource production from distant locations. I collaborate with specialised craftspeople to complete my work, professional polishers and engravers. If a specific technique is beyond my knowledge, I consult with expert makers. This approach ensures that every aspect of my work is infused with expert, locally sourced craftsmanship in the UK.
All the pieces displayed in my website are handmade, requiring dedicated time to complete. Therefore, items purchased from the online shop are delivered within four weeks from the date of purchase. This timeline allows for the crafting process and includes the time needed to hallmark each piece. For commission work the timeframe is agreed on the initial conversations with the client.
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